[19] Several still life paintings, void of social, political, or introspective content, stand out among his later works. James, Baron Ensor, in full James Sidney, Baron Ensor, (born April 13, 1860, Ostend, Belgium—died November 19, 1949, Ostend), Belgian painter and printmaker whose works are known for their bizarre fantasy and sardonic social commentary. [36] The black artist Kara Walker painted a controversial work, "Christ's Entry into Journalism", inspired by Ensor in 2017.[37]. It is at him that all the harquebuses are aimed. • James Ensor (born in Ostend, 1860 – died in Ostend, 1949) – painter and printmaker Attracted by masks' plastic forms, bright colors, and potential for psychological impact, he created a format in which he could paint with complete freedom. To go back to the main post you can click in this link and it will redirect you to Daily Themed Mini Crossword July 11 2020 Answers. [14] One author identified significant works of Ensor's late period such as The Artist's Mother in Death (1915), a subdued painting of his mother's deathbed with a still life of prominent medicine bottles in the foreground, and The Vile Vivisectors (1925), a vehement attack on those responsible for the use of animals in medical experimentation. James Sidney Edouard, Baron Ensor (13 April 1860 – 19 November 1949) was a Belgian painter and printmaker, an important influence on expressionism and surrealism who lived in Ostend for almost his entire life. Cochon 555 returns to Houston with virtual option amid. The first, titled Doctrinal Nourishment [or Alimentation Doctrinaire], depicts key figures in Belgium—a bishop, the king, etc.—defecating on the masses of Belgium. In short, Ensor is a dangerous person who has great changes. A funny crossword game it’s not news anymore, but a crossword game that each day throws new themed crosswords might become quite more noticeable. We think the likely answer to this clue is ENSOR. Royal Decree of H.M. King Albert I on 14 November 1919. Historians have generally seen Ensor's last forty or fifty years as a long period of decline, although noting a few original "superb and poignant" compositions from his later period. [16] Nearly lost amid the teeming throng is Christ on his donkey; although Ensor was an atheist, he identified with Christ as a victim of mockery. On this page you may find the answer for LA Times Daily Crossword clue "Belgian painter James" published on October 10 2020. For example, the 1887 etching "Le Pisseur" depicts the artist urinating on a graffitied wall declaring (in the voice of an art critic) "Ensor est un fou" or "Ensor is a Madman. "[23], In 1889, Ensor created two highly political etchings. Many other players have had difficulties with Belgian painter James ___ that is why we have decided to share not only this crossword clue but all the Daily Themed Mini Crossword Answers every single day. [20][21], Woman With Turned-up Nose (1879) oil on canvas mounted on wood, 54 x 45 cm., Royal Museum of Fine Arts Antwerp, The Skate (c. 1880) oil on canvas, dimensions unknown, Royal Museum of Fine Arts Antwerp, Still Life with Chinoiseries (1880) oil on canvas, 100 x 78 cm., Royal Museum of Fine Arts, Antwerp, Afternoon in Ostend (1881) oil on canvas, 108 x 133 cm., Royal Museum of Fine Arts Antwerp, The Oyster Eater (1882) oil on canvas, 207 x 150 cm., Royal Museum of Fine Arts Antwerp, Meadow Flowers (1883) oil on canvas, 113 x 97.5 cm., Minneapolis Institute of Arts, The Rower (1883), Royal Museum of Fine Arts Antwerp, Scandalized Mask (1883) oil on canvas, 135 x 112 cm., Royal Museums of Fine Arts of Belgium, Brussels, The Rooftops of Ostend (1884), Royal Museum of Fine Arts Antwerp, Adam and Eve Expelled From Paradise (1887), oil on canvas, 205 x 245 cm., Royal Museum of Fine Arts Antwerp, Tribulations of Saint Anthony (1887) oil on canvas, 117.8 x 167.6 cm., Museum of Modern Art, New York, Astonishment of the Mask Wouse (1889) oil on canvas, 131,5 x 109 cm., Royal Museum of Fine Arts Antwerp, Skeletons Warming Themselves (1889) oil on canvas, 74.8 x 60 cm., Kimbell Art Museum, Fort Worth, Attributes of the Studio (1889) oil on canvas, 83 x 113.5 cm., Alte Pinakothek, Munich, The Intrigue (1890), oil on canvas, 90 x 150 cm., Royal Museum of Fine Arts Antwerp, The Assassination [of Antoine B. Fualdes](1890) oil on canvas, dimensions unknown, Columbus Museum of Art, The Good Judges (1891) oil on panel, 38 x 46 cm., private collection, The Man of Sorrows (1891), Royal Museum of Fine Arts Antwerp, Skeletons Fighting over a Hanged Man (1891), Royal Museum of Fine Arts Antwerp, Still Life With Ray (1992) oil on canvas, 80 x 100 cm., Royal Museums of Fine Arts of Belgium, Brussels, The Dangerous Cooks (1896) oil on panel, 38 x 46 cm., private collection, Flowers and Vegetables (1896), oil on canvas, 79 x 98 cm. The Belgian artist Pierre Alechinsky (b. [8] By 1920 he was the subject of major exhibitions; in 1929 he was named a Baron by King Albert, and was the subject of the Belgian composer Flor Alpaerts's James Ensor Suite; and in 1933 he was awarded the band of the Légion d'honneur. [13] In 1888 alone, he produced forty-five etchings as well as his most ambitious painting, the immense Christ's Entry Into Brussels in 1889. 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