Justin Colletti takes a first look at the new IN-8 monitors from Kali Audio. I know, I know, Behringer but they were free. While it’s true that the midrange driver will still move and potentially modulate the HF, with all being frequencies being above 330Hz the issue is effectively gone. I'm looking forward to the reviews on the IN8. ..3way(ish) design. Kali Audio IN8 Monitors Tested - How Can These 3 Way Dual Concentric Monitors Cost So Little? I get almost zero noise when my lp-6s are at max volume through my saffire pro interface. It does has hiss, and I have the Kali sub. Kali LP6 Monitors Tested - Are They As Good As People Say? Kali Audio's WS-12 is a 1000W, 12″ powered subwoofer for studio & live use. In this arrangement, the cone of the bass/mid driver is also the waveguide of the coaxially mounted HF driver. If I put my ear near the tweeter I hear it as I would with others and I'm highly sensitive to high end. Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, 3 Way Compact Studio Monitors - 7 Of The Best, HEDD Mk 2 Series Monitors Offer Ported Or Sealed In One Speaker, Pro Studio Quality Speakers At A Project Price - Studiospares SN6A Active Monitors Tested. Kali Audio are relative newcomers to the entry-level nearfield monitor market, and our esteemed Executive Editor Paul White reviewed the company's least expensive model, the LP‑6, back in the December 2018 issue. He has been working in education since 2006, during which time he has introduced many new users to Pro Tools. The Kali Audio IN-8 Studio Monitor is a speaker like no other. ..sweet new midrange! In this, on-test article, we test the Kali Audio IN8, an ultra-affordable, dual-concentric, 3-way monitor. This should result in a wider sweet spot. If the waveguide of the HF driver is moving backwards and forwards as the tweeter’s output propagates across it, it will cause a pitch modulation. You may get a speaker that has an audible hiss. This doppler modulation is an interesting case as it is inherent to the design of a two-way dual concentric driver. Two-way is very much the order of the day when designing a competitively priced monitor and when we tested the Kali LP6 we found an extraordinarily good value, two-way monitor. The results were interesting and my overriding impression was just how good the LP6 is. 19th June 2019 ... loved the sound but sadly the hiss was too much for me. However, while it may not have any direct competition, is it any good? Old recordings of Metallica sound trash on them .. maybe they're poorly recorded. One of the benefits of a dual concentric design is the elimination of the time of arrival differences between drivers in different points in space. The Kali Audio IN-8 studio monitor builds on the solid architecture of the brand's renowned LP8. From Kali: Kali Audio's IN-8 is a 3-way studio monitor with an 8-inch woofer and a 4-Inch midrange with a coaxial 1-inch tweeter. A single driver behaves more like a point source and doesn’t suffer from these effects but covering the full spectrum at a reasonable level isn’t really possible. Too big to be used as meter-bridge nearfields yet not quite large enough to impress as main studio monitors – there was a time when monitors of this size were rare beasts. I'd check your interface, connections and power supply. in the vid you can see a card on the speaker that says $399. As soon as you turn up to an average listening level it’s not noticeable it distracting at all. The drivers themselves are a coated paper 8” bass driver and a dual concentric arrangement of 4” midrange and soft dome tweeter and it is this dual concentric complement of drivers, which makes this monitor so unusual and so interesting. Mind you, we want our monitors to be flat so…. If you want to study reverb tails or the effects of different dither settings then these might not be the best choice but if you’re mixing music it’s not going to be a problem. Listening position 3-5 feet away inaudible with nothing playing. I am aware that at this price range you have to compromise, yet I am a bit worried about the hiss/humm sound. The flatter, more extended response of the IN8 was clearly better but I have to confess they came across as a little flat compared to the attention-grabbing LP6. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. That’s may well be true but I’m very much of the opinion that the room affects imaging more that the monitor does. Apart from this, it’s all embarrassingly good. The amps are noisy. The unique architecture of the Midrange and Tweeter eliminates off-axis lobing, giving the IN-8 an incredibly accurate, lifelike stereo image. It had the same low noise performance I had in my own studio. It sounds good, is eminently useable in a small to medium-sized studio and as long as some slightly noisy electronics aren’t going to be a problem for you you should definitely check them out. It does! These are definitely not meant to be placed on your table closeup. Only questions that I have for now: is there an IN-6 comings at some point? https://scontent-sjc3-1.xx.fbcdn.net...29&oe=5DA93676, https://scontent-sjc3-1.xx.fbcdn.net...=AQnI99WTQf-sv, https://www.facebook.com/kaliaudio/p...529713/?type=3, AES 2019: Kali Audio Announces new IN-8 Coincident Studio Monitor. A second issue is that of doppler shift causing modulation of the HF driver’s output. As a person that owns a pair of LP6's, looking forward to these. The LP-8's next to the IN-8 was dirt cheap at $300 I think? Also, using a video to judge noise is just silly when factoring mic type, mic gains, & environment. In this, on-test article, we test the Kali Audio IN8, an ultra-affordable, dual-concentric, 3-way monitor. All in all the IN8 is a very attractive proposition. The advantages of a three-way format are easy to appreciate, a driver that performs well at low frequencies is rather different to one which operates well up in the midrange and a design that uses a bass-midrange driver usually involves bringing the crossover frequency down into the 1-2KHz range, right where a lot of crucial information sits. These active speakers are driven by a trio of class D amplifiers 60W for the LF and two 40W amps for the MF and HF drivers. 2-Way Or 3-Way Monitoring Systems? Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter and acts as its waveguide. Tannoy are of course the most famous name associated with dual concentric monitors, in their case mounting a horn loaded tweeter in the centre of a large bass/mid driver. These are, of course, very high-end monitors and I’m not suggesting that they are similar in performance but they are the only other design I’m aware of which uses this three-way approach to remove bass frequency modulation. I may have been a particular pair you had, or the interface or power source. This is where the wisdom of this three-way design of the IN8 becomes apparent. If you’re asking what the catch is then this is it. The crossover frequencies are at 330Hz and 3KHz leaving almost a full decade of the information centred around 1KHz to the midrange driver. The top-end performance is rather more different. We investigate. WOW this looks awesome!! The LP6 needs somewhere around 4.5 feet to 5 feet of distance between them to really open up the soundstage. Anyone who has ever dealt with three sets of variables will appreciate that it’s a lot more than 50% more complicated than two, so when designing an inexpensive monitor, three-way is not the route to an easy life. You’re right. It is better than mixing on my cheap headphones, especially after I treated the room a bit and got Sonarworks going. Buy Kali Audio IN-8 Powered 3-Way Coincident Studio Monitor (Single, Black) featuring 8" Poly Coated Paper Woofer, 4" Poly Coated Paper Midrange Driver, 1" Textile Dome Tweeter, Coincidental Mid/Hi Driver, Mid Driver - Low Excursion Waveguide, 45 Hz to 21 kHz Frequency Response, 140W Output - 114 dB Max SPL Output, Integrated Boundary Comp EQ, XLR, 1/4" TRS, RCA Inputs, Includes Power Cord. However, while it … Share. Kali Audio made a splash with the LP monitors and the IN-8s are just as dramatic a release. These things sound so good. While the issues introduced by diffraction caused by discontinuities around the HF driver in a dual concentric format are difficult to remove entirely, the doppler modulation caused by the deep bass issue can be avoided by using a 3-way design. One thing it does mean is that the IN8 can be used in landscape orientation. A combination which is so unusual it may be unique. I'm looking forward to some IN8 shootouts with 1000$ monitors and higher. Kali Audio’s IN-8 speakers do boast a number of tech features, which make them highly desirable for the price, including a midrange driver and tweeter that are coaxial or coincidental, thus allowing them to share the same acoustic center (movement of the midrange is only about 1mm at peak output, and so there is no interference with the tweeter). The IN8 shares similar construction as the LP series, using wrapped MDF and a plastic baffle. Introducing a third, midrange driver allows the bass driver to do bass, the tweeter to, err tweet, and the middle of the midrange can be kept clear of the crossover. A combination which is so unusual it may be unique. Make Sure You Know The Basics, Top Studio Monitor Roundup 2020 - Budget Home Studio Systems Through To High-End Loudspeakers - We Help You Choose. 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